What does the “Door” show artists Alexis Tsipras

Alexis Tsipras and SYRIZA’s work no longer sells tickets in the community. On the one hand The majority who “suffered and learned” She is not silent, but her expression is not replaced by the outdated Komondoro slogans. On the other hand, she is not seduced by the renewed version of anti-memorial seduction with which Alexis Tsipras tries to change his brand, sometimes climbing into Tractor carts and sometimes reviving practices of activist activism from the square years.

Repeating clichés, with the ultimate goal of a political hat, she obviously has dull appeal in social classes and professional groups. Those that arose from the tripartite electoral defeat of 2019 and were validated by the repeated denunciations of the old partisan prescription from which the Syriza president has not parted.

Mr. Tsipras clearly did not realize this social denial She is not manipulative But it was created by conflict From his words with the actions of his government. Such is the strategic dilemma of the official opposition leader who finds that even his personal ability to penetrate not only the various masses but also the factions he believes Syriza has ideological underpinnings has eroded.

This he tried to take advantage of in the case of mobilizing the artists that he exploited communicatively by including them in pre-election campaign from his party He even wanted to undermine the consultations with the government, whose compass was directed not in the direction of the conflict, but to solve the chronic problems. Problems that only Tsipras’ government did not address Hide under the rug.

the “Void” artists Tsipras’ charismatic debate but without a counter-proposal is unprecedented in Alexis Tsipras’s political career. It is a strong change for the president of Syriza, which will probably return him to the reality of 2023, which has nothing to do with 2015, and much less with 2012. When I discovered Mr. Tsipras’ abilities Ears accept and listen In a society divided by economic crisis, but rejected by interlocutors and institutions that recognized their hypocritical prestige with which political deception was carried out.

Alexis Tsipras protested that this behavior was not approved when it was not accepted by the then chairman of the committeen Jean-Claude Juncker Or when he was forced to cancel his visit to Mount Athos because he did not roll out the red carpet for the official reception.